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Raya and the Last Dragon: The Representation We Wanted?

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“I don't want everyone to pat Disney on the back for going as generic as possible in their Southeast Asia representation so they can cover the broadest audience”- XIRANJayZhao

 

This is one example of the outrage that has followed since the premiere of Raya and the Last Dragon, an action-packed family film produced by Walt Disney Pictures. The movie features Raya, a young heroine who fights to protect her people from a resurgence of powerful monsters. 

 

Raya and the Last Dragons is set in the fantasy land of Kumandra, a place where humans and dragons live together in harmony. Disney drew inspiration for this fictional place from Southeast Asian countries like Laos, Thailand, and Cambodia. According to Kumandran lore, long ago, a group of sinister monsters, the Druun, attacked the realm. The peaceful dragons rose up and managed to subdue the threat, but they paid a terrible price for victory: all but one of them died in battle. The setting for the movie takes place 500 years later. The Druun have reappeared and Raya must find the last dragon, unite the five diverse clans of Kumandra, and take down the menacing beasts. Though Raya and the Last Dragon has been a long-anticipated Asian-themed Disney movie, it has sparked a great fire of controversy over proper representation. 

 

Some members of the Asian community feel concerned about the casting of Raya and the Last Dragon. Although the movie is supposed to reflect Southeast Asian culture, there isn’t much Southeast Asian representation in the movie. There is a general lack of Southeast Asian actors in Hollywood and this movie could have been a great opportunity to change that. However, most of the cast comes from East Asia, a subregion of Asia that can be defined geographically and culturally; it includes countries like China, Japan, Korea, and Mongolia. Many people overlook Southeast Asians by grouping them in with East Asian people, which disrespects their specific culture and identity. One Twitter user states that they weren’t surprised by the lack of Southeast Asian representation. They pointed out that the two regions are quite different. The cultures of Malaysia, Laos, Myanmar, Thailand, and Vietnam are distinct from Korea, Japan, China, and Mongolia. This is a valid concern: every part of Asia has its specific cultural differences and traditions. Unfortunately for the film giant, Disney, casting isn’t the only controversy surrounding Raya and the Last Dragon

 

There was also an eruption on Twitter about the generalized portrayal of Southeast Asian culture within the film. Asia is an incredibly diverse continent with many unique cultures, and many accuse Disney of failing to acknowledge this diversity. @Avamarga_ tweeted, “This movie represents no one in particular”. Many felt like Raya and the Last Dragon threw all the different Southeast Asian cultures in a blender and didn’t represent any distinct group. Overall, the lack of Southeast Asian representation has disappointed many viewers hopeful to see their people featured on the silver screen.

 

Despite facing harsh criticism, there is no denying the presence of Asian actors in the film. Although the casting fails to recognize the diversity of Asian culture, it proves that Disney is actively trying to incorporate Asian influence into their films. The film features established Asian American actors like Awkwafina, Sandra Oh, Gemma Chan, and Kelly Marie Tran, who voices “Raya”. The movie’s focus on these actors alone brings together a greater sense of Asian representation. Many on Twitter reciprocate this feeling, with one Asian user writing, “yay for little kids that get to see ourselves represented in Disney!” The next generations of Asian Americans will benefit from introducing another Asian heroine as a household name. In the past, the typical white family in a suburban home has been the fallback for the average Disney movie, as seen in Toy Story, Incredibles, and Inside out. Now, these kids will be able to see more diversity. According to the movie’s supporters, children will not see the mixing of Asian cultures that critics have stated, but will instead see a positive Asain role model who overcomes all odds and be inspired to follow in her footsteps. Just as Mulan served as a source of inspiration for little boys and girls around the world, Raya and the Last Dragon will be a positive foundation that exposes future generations to the wonders and rich heritage of Asain peoples.   


Disney’s production of Raya and the Last Dragon provides Asian representation in the entertainment industry. Many children can see themselves represented in the media and find positive role models that look like them. Thanks to this movie, the youngest generation of Asian Americans will begin to emulate these characters. While the ideas and intentions are virtuous, the method for representing Southeast Asian culture is wrong. Many in the Asian American community believe that the story of  Raya and the Last Dragon could have been better if it focused on one specific culture in Southeast Asia, as opposed to a culmination of many. However, Disney is a large, influential company, and including Asian culture in their films is a step in the right direction. If the casting and portrayal of culture were done with more intentionality, the movie would not only be a good story, but also a great way to represent Southeast Asian culture. Even though Raya and the Last Dragon missed this great opportunity, its portrayal of Asian elements to a wide audience will pave the way for many other Asian-themed movies to come.

Kirin Ingle

Kirin Ingle

Deya Singh

Deya Singh

This Post Has 6 Comments

  1. Prof. Susheela Punitha

    A sensitive critical assessment of Raya and the Last Dragon, Deya and Kirin, giving due credit to a non-Western Disney cast and theme while pointing out the discrepancies in the identity of the Eastern cultures depicted. Thanks for highlighting the disparity between the signifiers and the signified.

  2. Pavithra D

    A movie like this is well overdue. There are bound to be flaws in the first attempt, but I am pleased to see you speak up Kirin and Deya because it is voices like yours that has always and will always make a difference in creating awareness and setting things right. Well done!
    Pavithra.

  3. Dr. McMillin

    Well researched and spot on! Disney can no longer afford these blind spots given its rising competition from the very regions it is trying to represent. Southeast Asian youth media industries are finding growing numbers of fans all across the world. Definitely a step in the right direction as so well argued, but more than baby steps needed Disney, in this sophisticated global media marketplace! Excellent writing and very enjoyable reading. Thank you Kirin and Deya!

  4. Paul D •••

    A very balanced review of the movie, highlighting the difficulty of depicting different cultures within the confines of a 90-minute story. Well done Deya and Kirin.

  5. Polly Singh

    Great,incisive and balanced article. Keep up the good work,Kirin and Deya!!

  6. Citizen John

    Very well written review of “Raya and the Last Dragon”. Casting for a movie must be a daunting process with many factors to consider. The author may be being overly critical of the generic representation of actors cast in the film. The film is not a documentary. It is a “big budget” film and it was put together to appeal to a large audience otherwise Disney wouldn’t recoup it’s investment. The established Asian American actors like Awkwafina, Sandra Oh, Gemma Chan, and Kelly Marie Tran also have their own following which helps sell the movie and they were available. It may be laziness on Disney’s part to not cast from that area of the world or there may not be actors with enough experience there to take the risk of making them stars at the possible expense of the movie. Jackie Chan, Bruce Lee (born in San Francisco), Jet Li, showed their talent in a vibrant film industry in China before starring in American movies. Jackie Chan broke out of the stereotype of the Asian man: namely, the martial artist, first created by Bruce Lee which still permeates in Hollywood cinema. People still pay to see these fanciful movies. It is hard to see them in other roles. All actors have a difficult time of not being typecast regardless of race, color, or nationality. Hollywood has tended to import Asian actors from China and Japan and leaves it to independent film companies to reach out to other Asian countries and is missing out on a lot of diverse talent as the author pointed out in the process. Perhaps as the film industry grows in Southeast Asia talent will emerge and these countries will be better represented internationally by major film companies.

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